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I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
我写的节目没有对话,演员必须记住对话。我写的场景是我们知道将要发生的一切。大概有七八页的提纲,然后我们即兴创作。
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