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The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
视觉在现代学术界被严重低估。艺术史只达到文学批评概念复杂性的一小部分。批评沉醉于自爱之中，大大高估了语言在西方文化中的中心地位。它没有看到令人兴奋的图像手语。