Why write for the orchestra? For one thing it's a very challenging problem.

  • -- Elliott Cook Carter Jr 小艾略特·库克·卡特

为什么要为乐团写作?首先,这是一个非常具有挑战性的问题。

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They can argue whatever they want. The problem is, when you interview every passenger, during the interviews you are looking for - you profile - you do profiling, to find the suspicious ones and put them out from the rest of the passengers.

他们可以为所欲为。问题是,当你采访每一位乘客的时候,在你寻找的采访过程中,你要做侧写,找出可疑的人,把他们从其他乘客中排除出去。

Well, number one I like dancing. Number two I knew it would be challenging because I had never done this type of dance before. I always wanted to and I happened to have the courage to go out there and give it my best shot.

首先,我喜欢跳舞。第二,我知道这很有挑战性,因为我以前从未跳过这种舞。我一直想去,而且我碰巧有勇气走出去,尽我最大的努力。

Challenging someone is good. You need to do it. Sometimes they don't even realize you're doing it, like when you joke with a goalie, 'What's wrong today? You losing it?'

挑战别人是好事。你需要这么做。有时他们甚至没有意识到你在这么做,比如当你和一个守门员开玩笑说,“今天怎么了?”你失去了吗?”

Directors have a tendency to use their hands like orchestra conductors. They don't realize that the actor is looking at their faces, anyway.

董事们倾向于像乐队指挥那样使用他们的手。无论如何,他们没有意识到演员在看他们的脸。

If I have a problem with someone I talk about them. I don't pick on their kids.

如果我和某人有问题,我会谈论他们。我不挑剔他们的孩子。

A man who wants to lead the orchestra must turn his back on the crowd.

一个想指挥管弦乐队的人必须背对着人群。