So I was at the Actor's Studio, thinking about this, and I happened to glance over to the other side of the stage and I saw the ugliest chair I have ever seen. And I thought, 'Well, I could kill that chair!'

  • -- Ellen Burstyn 埃伦·布尔斯坦

所以我在演员的工作室里,思考着这个问题,我偶然瞥了一眼舞台的另一边,我看到了我所见过的最丑的椅子。我想,‘好吧,我可以把那把椅子给杀了!’

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Also, as I lay there thinking of my vision, I could see it all again and feel the meaning with a part of me like a strange power glowing in my body; but when the part of me that talks would try to make words for the meaning, it would be like fog and get away from me.

而且,当我躺在那里想着我的幻觉时,我又能看到这一切,感觉到我身上有一种奇怪的力量在发光。但当我说话的那部分试图用语言来表达意思时,它就像雾一样,离我而去。

I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project.

我的意思是,如果你在指导演员做一件事,然后又完全因为你想让他们做的那件事可能行不通而指导他们做另一件事,那么你只是在粉碎他们对这个项目的信心。

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.

我喜欢家庭录音和录音室录音一样多-我不认为一个更好-但对于这张专辑,我想看看我可以做什么,在一个真正的录音室与真正的制片人。

The youth need to be enabled to become job generators from job seekers.

年轻人需要能够成为求职者的工作创造者。

I just go in the studio and write on the spot and see what comes out.

我只是走进录音室,当场写下来,看看会有什么结果。

I find there aren't that many options as an actor.

我发现当演员没有那么多选择。