A COLLECTION OF GOOD WORDS
情感
Emotional
I lost my sense of trust, honesty and compassion. I crashed down and became what I consider an emotional mess. I've never been so miserable in my whole life. I just wanted to go to bed and never get up.
我失去了信任、诚实和同情心。我崩溃了，变成了我认为的情感混乱。我这辈子从来没有这么痛苦过。我只想上床睡觉，再也不想起床。
I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
我曾经和一些我从来不想告诉她们任何关于我自己的事情的女人一起工作过，我也和一些感情丰富的男人一起工作过。所以情感上的可用性并不是性别上的。
A lot of actors, and artists in general, never feel secure in love. They always feel everything's going to be taken away from them, professionally and personally; they're extremely emotional and volatile.
很多演员和艺术家在爱情中都没有安全感。他们总是觉得所有的东西都将从他们身边被夺走，无论是专业的还是个人的;他们非常情绪化，反复无常。
When encountering emotional vampires, see what you can learn. It's your choice. You can simply feel tortured, resentful, impotent. Or, as I try to do, ask yourself, "How can this interaction help me grow?
当遇到情绪化的吸血鬼时，看看你能学到什么。这是你的选择。你只会感到痛苦、怨恨和无能为力。或者，当我试着去做的时候，问问自己，“这种互动如何帮助我成长?”
So we had life, death, illness, everything - every emotional involvement we had, we experienced. And I think that made what we had to do on stage, stronger. We got very much involved in what we were doing.
所以我们经历了生，死，病，所有的一切——我们经历的每一次情感的介入。我认为这让我们在舞台上要做的更加强大。我们非常投入到我们正在做的事情中。
We have three centers: the emotional center, the intellectual center, and the physical body center. Each one of them has its own intelligence. How much better would we be if all three were working in unison?
我们有三个中心:情感中心、智力中心和身体中心。他们每个人都有自己的智慧。如果三个人齐心协力，我们会有多好?
I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion.
我希望戏剧的戏剧性力量能建立在优雅的结构和不优雅的情感之间的张力上。
It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.
这一切都是关于为角色创造一个背景故事，并发展与角色相关的真实生活的情感反应。从那个地方开始创作，没有必要过悲惨的生活。
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
最终，我们作为音乐家所做的，我认为我们是一种情感工程师。我们必须把这些声波，这些声音，组织成情感，这就是我们和观众联系的方式。
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
有一段时间，当我进入方法表演的时候，我确实有一些残留的性格情感的时刻，因为这个方法基于你作为一个角色的情感反应，基于你真实生活中的情感体验。
You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.
你感觉到了奥运会，你感到浑身发冷、紧张，还有一点害怕。你经历了情绪的过山车，就像参加奥运会一样，你让它贯穿你的全身。
The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.
另一件事是我们有一个令人难以置信的恶棍。我们非常努力地让反派和英雄联系在一起。它们有一种影响，一种情感上的影响。他们永远不会脱离这个世界，成为疯狂的恶棍。
KEEP EXPLORING
沿着这个主题，再读几句。
If your emotional abilities aren't in hand, if you don't have self-awareness, if you are not able to manage your distressing emotions, if you can't have empathy and have effective relationships, then no matter how smart you are, you are not going to get very far.
如果你无法控制自己的情感能力，如果你没有自我意识，如果你不能控制自己痛苦的情绪，如果你不能换位思考，不能建立有效的人际关系，那么无论你有多聪明，你都不会走得太远。
Where Joe was more vocal and emotional whereas Chuck was very reserved. But, both of them executed great strategy and both of them demanded a lot of their players.
乔的声音更大，感情更丰富，而恰克则很含蓄。但是，他们都执行了伟大的战略，他们都要求他们的球员很多。
A lot of emotional stress that people go through, some people figure out a way to handle it. They have a strong enough support system to keep going and keep moving forward. And some people, they feel like they don't have that outlet.
人们会经历很多情感上的压力，有些人会想办法处理它。他们有足够强大的支持体系来继续前进。而有些人，他们觉得自己没有这样的出口。
I'm actually very introverted. I'm very shy. I'm very emotional.
我其实很内向。我很害羞。我很情绪化。
A cat has absolute emotional honesty: human beings, for one reason or another, may hide their feelings, but a cat does not.
猫有绝对的情感诚实:出于这样或那样的原因，人类可能会隐藏他们的情感，但猫不会。
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
导演们知道我的一些事情是人们不应该知道的。但每个人都不一样。我曾经和一些我从来不想告诉她们任何关于我自己的事情的女人一起工作过，我也和一些感情丰富的男人一起工作过。所以情感上的可用性并不是性别上的。