A theater person should know what holds an audience and what does not.

  • -- Robert Ludlum 罗伯特·陆德伦

剧院工作人员应该知道什么能吸引观众,什么不能。

相关名言

The programme has ended, something has finished, and he has a sense of something having finished its course, and then all of a sudden he turns away and this other thing has just finished its course, this other person.

课程结束了,有些东西结束了,他有一种完成课程的感觉,然后突然他转过身去,另一个东西刚刚结束课程,这个人。

I'd like to think that I'm brave. That's a really wonderful personality trait to have. I would love to think I'm the type of person to go rescue someone.

我愿意认为我很勇敢。这是一个很好的性格特点。我想我是那种会去救别人的人。

Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.

教育者不应该害怕陈词滥调。你知道为什么吗?因为大部分孩子都不认识!他们是新观众。他们的灵感来自于陈词滥调。

There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.

观众总是为不同的人而存在的,但有时评论家们会阻止观众发现节目,而节目也会发现观众。

There's such a thing as theater discipline. One player doesn't appropriate another's inventions.

有一种叫做戏剧纪律的东西。一个玩家不盗用另一个玩家的发明。

As soon as white folks say a play's good, the theater is jammed with blacks and whites.

只要白人说一出戏不错,剧院里就挤满了黑人和白人。