I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.

  • -- Dabney Wharton Coleman 达布尼·沃顿·科尔曼

我认为放松自己是非常有益的,这样当你在做的时候,你就不会因为台词而感到惊讶,你的注意力也不会集中在我要说的内容上——而是场景本身,你所交谈的角色。

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While I was doing stand-up, I thought I knew for sure that success meant getting everyone to like me. So I became whoever I thought people wanted me to be. I'd say yes when I wanted to say no, and I even wore a few dresses.

当我在做单口相声时,我想我肯定成功意味着让每个人都喜欢我。所以我成为了人们想让我成为的那个人。当我想说“不”的时候我会说“是”,我甚至还穿了几件衣服。

Since I was there in the very beginning, I know the history of the characters. So, I make comments about the tone and sometimes remind the writers that we've done that before.

因为我一开始就在那里,所以我知道人物的历史。所以,我对这种语气做了一些评论,有时会提醒作者,我们以前也这么做过。

It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.

这真的是,哦,拜托,这个人不会那样说或者他不会那样做,你知道,这是关于角色,关于故事,关于情境。

Can't you read? The score demands "con amore," and what are you doing? You are playing it like married men!

你不能读吗?比分要求“反悔”,你在做什么?你玩得像个结了婚的男人!

If you had a good radio - and everybody did in those days - you could find it.

如果你有一台好的收音机——当时每个人都有——你就能找到它。

Why should you have to atone for making big movies?

你为什么要为拍大电影而赎罪呢?