At first I had some idea that the absence of color made the work more physical. Early on I was very involved with the notion of the painting as an object and tended to attack that idea from different directions.

青竹 云海 晨光 星夜 荷风 晴雪 秋山 听海 沙丘 森语 梅影 花野 听雨 晴窗 暮色 橘光