Why should the composer be more guilty than the poet who warms to fantasy by a strange flame, making an idea that inspires him the subject of his own very different treatment?

  • -- Franz Peter Schubert 舒伯特

为什么作曲家要比诗人更有罪恶感呢?诗人被一种奇怪的火焰温暖着,产生了一种想法,激发了他的灵感,使他以一种截然不同的方式对待自己的主题。

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Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.

职业母亲通常会证明,当她们离开孩子时,她们会感到内疚;当她们不工作时,她们会感到内疚。忠诚的父亲们当然非常想念他们的孩子,但这似乎与折磨女性的那种折磨人的原始焦虑不同。

I knew I was different when I was about six years of age but I just knew that I wasn't like everybody else. I mean I wasn't like the other kids. I didn't know what that was. But I guess it was when I was in seventh or eighth grade, I'm like, 'Hey, something's wrong here.'

当我大约六岁的时候,我知道我是不同的,但我只是知道我不像其他人。我和其他孩子不一样。我不知道那是什么。但我想大概是在我七、八年级的时候,我说,‘嘿,这里出了点问题。’

They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.

他们是笨蛋,把我的工作称为抽象的。他们所谓抽象的东西是最真实的,因为真实的东西不是外在的,而是理念,是事物的本质。

It terrified me to have an idea that was solely mine to be no longer a part of my mind, but totally public.

一个完全属于我的想法不再是我思想的一部分,而是完全公开,这让我感到恐惧。

But of course it's different now, the blues is no longer blues, it's green now.

但现在当然不同了,蓝色不再是蓝色,而是绿色。

It is better that ten guilty escape than one innocent suffer.

十个罪人逃跑,强如一个无辜的人受苦。