A COLLECTION OF GOOD WORDS
管弦乐队
Orchestra
I think this orchestra's strengths involve drama and voice.
我认为这个乐团的强项在于戏剧和声音。
I grew up in an era where an orchestra was like a treasure chest.
我成长在一个管弦乐队就像一个宝箱的时代。
In or orchestra we have many nationalities, types, and temperaments.
在管弦乐队中，我们有许多民族、类型和性情。
A man who wants to lead the orchestra must turn his back on the crowd.
一个想指挥管弦乐队的人必须背对着人群。
Why write for the orchestra? For one thing it's a very challenging problem.
为什么要为乐团写作?首先，这是一个非常具有挑战性的问题。
There is no relationship between the gestures and what an orchestra will do.
手势和管弦乐队的演奏没有关系。
I recorded the song live in front of an orchestra, and yes, I was very moved, I was in tears.
我在乐队前现场录制了这首歌，是的，我非常感动，我哭了。
I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.
我对管弦乐队本身的声音不感兴趣。我想让它听起来像作曲家。
His style has the desperate jauntiness of an orchestra fiddling away for dear life on a sinking ship.
他的风格有一种绝望的欢快，就像一个管弦乐队在一艘正在沉没的船上拼命演奏。
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
我经常在管弦乐队中演奏大提琴和低音部分，因为我更喜欢深沉的声音。我听不清小提琴。
An orchestra knows during the first two minutes of the first rehearsal whether or not they are going to enjoy the person on the podium.
管弦乐队在第一次排练的前两分钟就知道他们是否会欣赏台上的人。
There's not an orchestra in the world that doesn't have weaknesses. None of us can play everything well. The repertoire is just too big.
世界上没有一支管弦乐队没有弱点。没有人能把每件事都做好。曲目太大了。
KEEP EXPLORING
沿着这个主题，再读几句。
I was a good sight reader and I could sing two or three of these jingles a day. An orchestra would come in for half an hour, and then the singers would come in and knock 'em out, and go on to the next one. I was the voice of Budweiser and Almond Joy.
我是个很会看东西的人，我一天能唱两三首这样的歌。管弦乐队会来半个小时，然后歌手们会进来把他们敲昏，然后继续下一个。我是百威和杏仁乐的代言人。
I just initiated the project where I write music for somebody else to write the lyrics and also for the orchestra to perform. I've just initiated the project. That leads the project into creating an independent label outside of game music.
我刚刚启动了一个项目，我为别人写歌词，也为管弦乐队演奏。我刚刚开始这个项目。这使得该项目在游戏音乐之外创建了一个独立的标签。
It's just that, when the orchestra look at me, I want them to see a completely involved person who reflects what we rehearsed, and whose function is to make it possible for them to do it.
只是，当乐团看着我的时候，我想让他们看到一个全身心投入的人，他能反映出我们排练的内容，他的作用是让他们有可能做到这一点。
Directors have a tendency to use their hands like orchestra conductors. They don't realize that the actor is looking at their faces, anyway.
董事们倾向于像乐队指挥那样使用他们的手。无论如何，他们没有意识到演员在看他们的脸。
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.
它必须能够以每一种风格最大限度地表达和交流，而你能做到这一点的唯一方法，就像威尔第所说的那样，每天一点点地处理一个文件，直到乐队的集体品质显现出来。
Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't continue in this direction, even if people liked it, because I can only duplicate myself.
管弦乐队在两首曲子上也有一个小型铜管合奏团，但剩下的是我。我知道我不能在这个方向上继续下去，即使人们喜欢它，因为我只能复制我自己。