I do seem to like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.

  • -- David Byrne 拜恩

我似乎确实喜欢将弦乐的戏剧性情感温暖与鼓和贝司的凹槽和身体动作结合起来。

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If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.

如果这是一个非常情绪化的场景,当你完成它的时候,你会感到很放松,很疲惫。有些时候,你会感到慌乱,某些角色,如果他们很亢奋,那就会延续下来,这就是剩下的部分。但我试着把它留在片场。

You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.

你感觉到了奥运会,你感到浑身发冷、紧张,还有一点害怕。你经历了情绪的过山车,就像参加奥运会一样,你让它贯穿你的全身。