A COLLECTION OF GOOD WORDS
字符
Character
I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else.
我把这个角色留到最后。我没有随身携带任何东西——没有多余的行李或不必要的想法。我觉得那样做太累人了。换个角度看问题——你的工作就是你的工作，你的闲暇时间就是另外一回事。
I've always thought of myself as more of a character actress. I've tried to do different things, but I've always been under the radar and that's how I like it. I've been really blessed to work this long and I just hope I continue to get better and better and better and better.
我一直认为自己更像是一个角色演员。我尝试过做不同的事情，但我总是在雷达下，这就是我喜欢它的原因。我真的很幸运能工作这么久，我只希望我能越来越好，越来越好，越来越好。
I'm crazy about Grant: his character, his nature, his science in fighting and everything else. But I don't like the idea that he never accepted the blame for anything, always found someone else to blame for any mistake that was ever made, including blaming Prentiss for Shiloh.
我为格兰特着迷:他的性格、他的天性、他在战斗中的科学以及其他一切。但我不喜欢他从不接受任何指责，总是为自己犯下的任何错误找别人来承担责任，包括把希洛的过错归咎于普伦蒂斯。
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
随着有线电视的兴起，网络显然陷入了困境，因为有线电视上的角色远比网络上的角色更吸引人。网络电视正试图解决这个问题。网络电视真正依赖的是故事而不是角色，而有线电视依赖的是角色。
The first night was awful because I was so afraid, and I was never more afraid because it was going out of my character to be outgoing and to be vulnerable and to be out there and onstage. My hands were sweaty and I couldn't swallow, and I drank a bottle of wine to calm my nerves.
第一个晚上很糟糕，因为我太害怕了，我从来没有这么害怕过，因为我的性格不适合外向，不适合脆弱，不适合站在舞台上。我的手出汗了，我咽不下去了，我喝了一瓶酒来镇定我的神经。
With all their faults, trade unions have done more for humanity than any other organization of men that ever existed. They have done more for decency, for honesty, for education, for the betterment of the race, for the developing of character in men, than any other association of men.
尽管工会有种种缺点，但它为人类所做的贡献，超过了以往任何一个男性组织。他们在正派、诚实、教育、改善种族、培养人的品性方面所做的工作，比任何其他男人的交往都要多。
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
我看不出表演捕捉角色和真人动作角色之间有什么区别，他们只是我在一天结束时的角色，而我是一个演员，我想用精彩的剧本来探索这些角色。唯一需要注意的是，一个好的故事就是一个好的角色。
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.
我喜欢这个角色。在那里的某个地方，我真的在我的脑海中得出了一个结论，那就是表演和明星之间的区别是很重要的。如果你成为明星，人们会去看你。如果你还是一个演员，他们会去看你演的故事。
For an entire populace, change, growth, and spontaneity were dangerous. Acting upon a personal desire, whispering a hidden longing, revealing your true feelings - all the human actions we think of as essential to a character - had be censored by the self lest they be punished by the state.
对全体民众来说，变革、成长和自发性是危险的。根据个人的欲望行事，低声诉说隐藏的渴望，揭示你的真实感受——所有我们认为对一个角色至关重要的人类行为——都被自我审查，以免受到国家的惩罚。
Most of the time when I receive a script, it says something like 'Rosenberg is the fat, slovenly Mayor, who doesn't want the kids to use the skateboard park', or 'Stein is a pompous, rotund attorney, imposing to all.' It would be so freeing to get a script where my character is simply described as 'A Man'.
大多数时候，当我收到一份手稿时，上面写着类似这样的话:“罗森博格是一个肥胖、邋遢的市长，他不想让孩子们使用滑板公园”，或者“斯坦是一个自负、肥胖的律师，强加于所有人”。“如果能得到一个剧本，把我的角色简单地描述为‘一个男人’，那就太自由了。”
If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
如果你是一个卡通人物或大多数电视角色，当然，你会战斗，因为拳击听起来很有趣，而且不会留下痕迹。但在现实生活中，如果有人打你的眼睛，它不会发出任何声音，你的眼睛会肿六个月。被打在眼睛上是一场噩梦。
KEEP EXPLORING
沿着这个主题，再读几句。
Everyone is a moon, and has a dark side, which he never shows to anybody.
每个人都是月亮，都有不为人知的阴暗面。
What man actually needs is not a tensionless state but rather the striving and struggling for some goal worthy of him. What he needs is not the discharge of tension at any cost, but the call of a potential meaning waiting to be fulfilled by him.
人真正需要的不是一种没有紧张的状态，而是为一个值得自己去追求的目标而奋斗。他所需要的不是不惜任何代价释放紧张，而是一种潜在意义的召唤，等待着他去实现。
Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
父母只能给他们好的建议，或者把他们放在正确的道路上，但一个人的性格的最终形成取决于他们自己的手。
Be more concerned with your character than with your reputation. Your character is what you really are. While your reputation is merely what others think you are.
多关心你的性格，少关心你的名声。你的性格就是你真正的样子。而你的名声只是别人对你的看法。
If death meant just leaving the stage long enough to change costume and come back as a new character, would you slow down? Or speed up?
如果死亡意味着离开舞台的时间足够长，可以换一身戏服，以一个新角色的身份回来，你会放慢脚步吗?或加速?
I like to hide behind the characters I play. Despite the public perception, I am a very private person who has a hard time with the fame thing.
我喜欢躲在我扮演的角色后面。尽管公众对我的看法是这样的，但我是一个非常注重隐私的人，很难接受名声。